Linda Halcomb's Blog

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November 20, 2010 November 20, 2010

Filed under: Abstract,Collage,Daily Post,Watercolors — lindahalcombfineart @ 7:53 am
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When I learn something new I have to apply it to really understand and use the knowledge at an intuitive level. I want to continue to work with the ideas I learned when working with my black, white and gray collages and paintings. I decided to work on a collage but I want to add some interest by introducing a bit of color. I love blue so I painted a sheet of 9″ X 12″ bristol board with big daps of Winsor Blue, Prussian Blue, Thalo Blue and Cobalt Blue.

BG&W Collage 11182010 - Step 1

I started playing around with the torn shapes I had from the last time I worked with my gray scale papers. I decided to stay with primarily white, black and mid-gray and I also decided that I needed a large “blocking” shape because the background was so active that it didn’t fit well with the very flat gray scale papers. The background had to be a small accent element not a major element. It is fun to play around with shapes. It is like doing a jigsaw puzzle with no “right answer”. The gray scale papers are so flat and cold feeling that I have to work with torn edges to give softness and interest and I like to have some of the edges touch or overlap to add warmth – like the touch of a hand. Anyway after trial and error my final collage turned out A-OK. It’s not really cockeyed. That’s my photography!

BG&W Collage 11192010 - Final

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November 15, 2010 November 16, 2010

National Abstract Show - White Light

I finally found time to visit the National Abstract Show that my paintings are in. The winners of the competition were primarily abstract expressionism but there were many different painting styles represented in the show.  The show had over 130 paintings entered from 17 states and around 50 paintings were juried into the show. The show closes this weekend and it was a huge honor for me to have two paintings accepted.

National Abstract Show - Carnival

The show is displayed in the Garfield Park Arts Center. This is a historic building with lots of space that is used for classes and to support all types of art and art groups. The competition is organizaed and managed by the Southside Art League of Indianapolis.

 

October 23, 2010 October 23, 2010

Filed under: Abstract,Daily Post,Watercolors — lindahalcombfineart @ 5:12 pm
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I  have been working on a third gray, black and white study. These paintings are small (roughly 5″ X  7″) and are on 140 # Arches. This one I played with and played with. After the first wash I did not use a brush again and I applied 6 or 7 layers of paint. I learned that after the 4th or 5th layering you have washed away the sizing from the paper and it is much harder to achieve interesting effects. I also learned that when you are not using color all of your paintings can begin to look alike. I thought I was done painting this little study and it was nice but I decided I could make it more exciting. So I finished by painting another layer with a toothpick and was able to get the spiky flashes. Anyway I am finished with this. I hope you enjoy it! This image is scanned so it looks slightly different from the photos.

Study #3 in Gray, Black and White

 

October 21, 2010 October 22, 2010

Filed under: Abstract,Daily Post,Watercolors — lindahalcombfineart @ 8:37 am
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I am still working on my forest painting but I did finish a second study in gray, black and white. I find that these studies free my mind and I immerse myself in them. Unfortunately I have not started pulling together my November/December Show and that has to start today! Here is study in g,b &w step 1:

Study 2 in Gray, Black and White - Step 1

Step 1 is the only step that included use of a brush. I washed the paper with clear water and then painted in splotches of Payne’s Gray, Neutral Tint and Charcoal Gray achieving a variety of intensities in order to create an underpainting. While the paper was still very wet I dropped in liquid white watercolor and let it mingle without my assistance.

Study 2 in Gray, Black and White - Step 2

I let the paper dry thoroughly and then sprayed the paper with clear water. I dropped in black liquid watercolor, payne’s gray and neutral tint and tilted the paper to form a pattern. I repeated this one more time to build up more texture and color. Here is where I begin to debate with myself. Am I done? I decided no.

Study 2 in Gray, Black and White - Step 3

I decided that the study could be more dynamic and exciting so I tilted the paper and sprayed across it dropping white and payne’s gray watercolor across in a diagonal. I then used a tooth pick to pull out the spiky points. Throughout the painting process I used my finger and paper towels to blot and smudge the paint as it developed. Is the study done now? Who knows? I decided yes.

 

October 18, 2010 October 18, 2010

Filed under: Daily Post,Watercolors — lindahalcombfineart @ 5:52 pm
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We never know why we hit a slump and we never know why they end. I woke up yesterday with an intense desire to paint again. All I can say is Yippee! I started working on a couple of small watercolors and I finished (I think its finished…hmmmmm?) one today. This little guy was inspired by several things. First, I just recently finished a book by Edward Betts that included a chapter on painting without a brush. This painting is done entirely without the use of a brush. Second I have been thinking about the work that Chris and Leslie have been doing, especially Leslie’s post of October 3, 2010. She did a painting using multiple shades of gray and black.  Anyway here it is…I used payne’s gray, neutral tint, charcoal gray and Dr Martin’s Hydrus white and black.

Study in Gray, Black and White #1

Now that it is finally raining in Indiana I guess you could say I’m just splashing around.

 

September 7, 2010 September 8, 2010

Filed under: Collage,Daily Post — lindahalcombfineart @ 5:53 pm
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I am growing in appreciation for art in B&W…in all its forms. Photographs like those of Ansel Adams amaze with their texture and depth, drawings by the Renaissance artists are full of movement and power and abstracts stimulate our little gray cells. I completed another abstract collage and have one more in process.

Collage Exercise 09072010

This one fell into place easily.  I tore the first piece of paper smaller than I wanted so I started playing around with the “left over” shapes and I fell in love with the powerful black shape you see here. Focusing on balance, repetition and line I completed this piece without a lot of struggle. (Maybe I should have struggled more????!!) It was fun and my husband said “I think you’re getting it!”  This is fun and I think it will improve my paintings, even if it is all in my subconcious.

 

June 8, 2010 June 9, 2010

Filed under: Acrylics,Daily Post — lindahalcombfineart @ 7:42 am
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My fascination with squares continues…a couple of months ago I read an article about an exhibit of paintings by Lee Krasner. This is a special exhibit of paintings she did after she and Jackson Pollock moved into the house that became the Pollock-Krasner House Museum. Pollock had a large space but the space allotted to Krasner was small. In this space Krasner did her early and possibly her best abstract expressionist paintings. They were a series called the Little Images. They are thouht of as small and jewel-like. My favorite is Shellflower which is bursting with color, light and excitement. When I read this article I found out that she had painted a Little Image called White Squares in 1948. It is in the Whitney Museum in NYC. This, of course, got me thinking about how I would paint white squares. I saw them as bright, full of light and flickering pastel color. When I saw an image of Krasners’s painting I was disappointed. It is hard edged and complex when I think of squares and geometry as simple, straightforward and clean. Anyway, I finally put my thoughts down in a painting. My painting is titled 30 White Squares.

30 White Squares

I am not sure if it is complete yet but itis very close. This painting is acrylic on yupo paper and measures 20″ X 24″.