Linda Halcomb's Blog

Just another weblog

March 4, 2012 March 6, 2012

Filed under: Daily Post,Portraits & Self Portraits,Watercolors — lindahalcombfineart @ 6:21 am
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Good morning everyone! I have been a little tired and distracted lately so I got out my sketchbook. You probably don’t remember but I worked primarily on loose sketches during the first three months of 2011. I think it helped relax my “little gray cells”, flex my painting and drawing muscles, and prepare me for more rigorous painting activity. I used my 6″ X 9″ Bee Deluxe sketchbook that will take wet media and an old copy of a magazine.  I am using my Pebeo pan set of watercolor and my aquabrushes to paint faces. First I do a quick pencil sketch and then I put the magazine away and just paint. The intent is not to get a likeness of a specific person but just to achieve a face I like in about 30 minutes.

Face 03042012


November 28, 2011 November 29, 2011

Filed under: Daily Post,Drawings,Portraits & Self Portraits — lindahalcombfineart @ 3:38 pm
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I’ve been doing some sketching and I love to work with faces. My first is done with black and gray Sharpie markers.

The Ancester

and the next one is just graphite pencils. Both are in my little 6″ X 9″ sketchbook.  Both are inspired by photos in the latest Smithsonian magazine.

The Navigator


June 25, 2011 June 26, 2011

Filed under: Daily Post,Drawings,Portraits & Self Portraits — lindahalcombfineart @ 8:05 am
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WOW what a week…our biggest problem…a contractor was working on our roof in a high wind and his ladder crashed down taking out our cable, phone service and internet. Do you realize how much we depend on our phone and internet? I did use my cell to report the problem and schedule the repair…anyway we are finally back in communication with the outside world.

I had time to do a couple of small drawings while “out of touch”. We were in the office of Ken’s dentist who is an avid advocate of the Chicago Institute of Art. He had a book on the coffee table that described the origins of the museum. A driving force was Francis Hutchinson and her husband. I thought this early photo of her presented a face both sweet and curious so I couldn’t pass it up.

A Young Francis Hutchinson

Later the same day I was reading an article in the monthly magazine published by the Indiana Historical Society. The article was about the Ninth Indiana Infantry Regiment which was one of the original 3 month volunteer regiments later recommissioned to a 3 year regiment. They were active during the entire war and gained renown for their experience, bravery and effectiveness. I used a photo of one of the leaders of the regiment to set the outlines for this drawing but the eyes, nose and attitude are all mine. Hope you enjoy!

Civil War Warrior



February 17 & 18, 2010 February 19, 2010

Filed under: Daily Post — lindahalcombfineart @ 7:59 am
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As part of my last shipment from Cheap Joe’s I bought a couple of Sketch & Wash pencils. I bought them because I thought I heard someone say they used them to sketch their drawings on paper before starting a watercolor painting. I thought the lead was light and just dissolved and disappeared as you painted. Well OBVIOUSLY NOT! On Wednesday I tried my first work with these pencils and I now know that they are used to make a painting that looks like a drawing made from ink washes. And that is fine. Here is my first attempt.

Drawing #1 using Sketch & Wash Pencils

I tried doing a second drawing yesterday while I was at the surgery center with my husband and I learned something about where my head is right now. In the past I have focused my drawing and paintings on animals, nature, landscapes, flowers but virtually never on faces, figures or portraits. Yesterday I drew the face of a beautiful young woman and I tore it up and threw it out. Not because the technical content wasn’t good but because it looked sterile to me – nothing behind the face. When I look at the drawing I did on Tuesday, I see a man satisfied with where he is at. He has had a hard life but he values where he has been, he has had some success and he is planning for tomorrow. He has experience, confidence and history. This drawing was inspired by the eyes of an Auschwitz survivor I saw in a photograph in Smithsonian. I see a facial feature that speaks to me and I use it to start a drawing but the drawing becomes mine as I add features and expression. I need to think more about this and how to act on it. This was a revelation for me. All I know is you can expect to see more faces in the future.