Linda Halcomb's Blog

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October 27, 2011 October 28, 2011

Filed under: Abstract,Daily Post,Drawings — lindahalcombfineart @ 5:39 am
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On Wednesday Ken and I and some friends visited the Indianapolis Zoo to see the new baby elephant and the Dolphin Show. One of the dolphins is named Kimo which I understand is the Hawaiian word for happiness (if this is wrong please tell me!). Today Ken had his fourth Chemo treatment. HMMM, Kimo – Chemo, serendipity? I always take drawing tools with me when Ken has chemo and this time I took a 6″ X 9″ heavy duty sketchbook and my set of Sharpie markers. I used the edge of the Sharpie case as a straight edge – drew some lines, some curves, some spirals and started coloring. I stayed with primary and secondary colors because I wanted a happy, cheerful look…not that everything is going well but I was tickled by the play of words (Kimo/Chemo) and Ken and I had one of our best vacations ever in Hawaii. So a tribute to Kimo!

Kimo 10272011

 

 

 

October 25, 2011 October 26, 2011

Filed under: Abstract,Daily Post,Drawings — lindahalcombfineart @ 6:47 am
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Tomorrow Ken has his fourth round of chemo. Last night I was thinking about our journey and how much I love him. I had my sketchpad with me and did a curvy, swirly auto-drawing with some hearts in it. The word I was thinking about at the time was Heartscape – like a landscape for your emotions. I did the drawing with a black Sharpie and then, having just finished the new biography of Lee Krasner and having just watched the movie Pollack, decided to use some color to “fill-in” the blanks.

Heartscape Drawing

It’s not perfect but I learned a lot about composition and balance as I worked on this last night. Hope you enjoy… Tell someone you love them today!

 

October 18, 2011 October 23, 2011

Filed under: Abstract,Daily Post,Watercolors — lindahalcombfineart @ 7:09 am
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A third Chemo painting from this cycle to share with you. With this painting I used cut strips of MASA to see how that would work. It was still a little tough to remove all of the mask but it worked fairly well. I like the way I was able to retain the bright spots and the water moved around the paper in a totally different pattern. A learning!

Chemo 7

Since I was able to “hold” the bright lights, I really “pushed” the darks in this one. I wanted to achieve something intense and deep.

 

October 16, 2011 October 21, 2011

I have never specifically shown the work of another artist on my blog BUT, as a huge promoter of the Watercolor Society of Indiana and a HUGE fan of the top three artists of 2011, I wanted to share the magic they create with you, my fellow artists and bloggers. I have included the Judge’s Comments and comments from the artists. You may also see notes from me since I pulled this information together for use by the docents at the IMA.

2011 Best in Show - A Sanguine Summer by Jerry Smith

Smith, Jerry, Sanguine Summer, acrylic on paper 29 x 21

Wilbur Meese Memorial Award: BEST IN SHOW

“This painting has beautiful flow, movement, and balance.  Everything good about composition exists in the painting.  The color is incredible—especially the grays.  I want to take this painting home with me.”

I’m constantly drawn to the Indiana landscape, especially the rolling hills and small farms found in the southern part of the state. In recent years I’ve been particularly interested in incorporating the textures and shapes of large foregrounds into my paintings. I’ve found the layering of acrylic paints useful in achieving the desired results.

Because this painting won Best-in-Show (and because I wanted to incorporate it in a Public Tour called Impressionism and Beyond) I sent Jerry several questions. Here are his answers to my mini-in terview. (PS I had to look it up…sanguine means cheerful or hopeful.)

1. Do you think of yourself as having a particular style or following a particular “school” of art?

I have not attempted to follow a particular style or school of painting. My beginning tendency was toward tight realism, but my preference is impressionism. I have spent many years trying to make this transition. I feel my main influence has been the Impressionists, especially the Cape Ann School painters such as Frederick Mulhaupt, Harry Vincent, and Aldro Hibbard.

2. Do you do plein air sketching and/or painting? Do you ever start a painting en plein air and finish in the studio?

Yes, I always carry and sketchbook and watercolors when I travel. I do both plein air and studio painting. When painting outside I prefer to finish the painting on location. However, weather or time limitations sometimes force me to finish or rework a painting in the studio.

3. Do you ever do a series of paintings of a specific location?

I love to work this way. Many times in the course of doing a painting, I get ideas about how the painting could be done in a different way or pushed in a different direction.

4. Do you have a favorite palette of colors?

I have no favorite colors. I use a fairly limited palette made up primarily of a warm and a cool in each of the primary colors plus a green and an earth tone, such as burnt sienna.

5. What do you consider most critical to a successful landscape (ie color, line, composition, value contrasts)?

It is very difficult to rank the order of importance for the elements of painting. They are all important. If forced to do so, I would have to say that it is critical to have a good composition before other things can be considered. It seems that color ranks very high among people viewing paintings.

6. How long does it take for you to paint a work like “Sanguine Summer”?

Sanguine Summer is a studio painting done from sketches and photos. A painting takes as long as it takes. Sometimes I work on a painting in more than one session and I tend to lose track of time when doing so. I also spend time planning and thinking about a painting before I ever start so I hesitate to put number estimates on the time put into a painting. An oft heard clichéd answer is “It took x hours to do the painting and a lifetime to learn how.”

 

October 14, 2011 October 20, 2011

Filed under: Abstract,Daily Post,Watercolors — lindahalcombfineart @ 10:51 am
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Chemo 6 - Arches CP - 12" X 16"

Back to my earlier process…no experimentation or Masa here…just thinking and feeling the chemo, the cell-killing chemo. Do you feel like the painting is floating in fluid? I tried to make it look like the flow was surrounded by other fluids and the cancer cells were being destroyed and were losing their vital, life giving blood. Maybe my words are too melodramatic but I keep screaming internally – kill, kill, kill that cancer!

 

 

October 13, 2011 October 18, 2011

Filed under: Abstract,Daily Post,Watercolors — lindahalcombfineart @ 10:13 am
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Haven’t been able to post for a few days because my camera was sick. I finally figured out, after trying several things, that my rechargeable batteries were shot. I bought some new lithiums and they are working fine.

Ken had his third round of chemo about a week and a half ago. We spent last week at home and he was able to run errands with me by the end of the week. He is still weak but was able to attend the opening of the Watercolor Society of Indiana show on Sunday.

This is the fifth in a series inspired by his Chemo and I tried something new. Leslie has inspired several artists to work with Masa paper collaged on watercolor paper. It can give very interesting effects. I wad and soak the paper before I collage it to my Arches CP paper. I don’t apply any color until after the collaging is complete but I often paint before the collage is dry. I use masking fluid on my paintings and I wanted to see if I could remove the masking from the Masa. You can if you apply it heavily but it doesn’t work very well. Ken really likes this particular painting and it has not motivated any modifications during my “living with it” phase. Hope you enjoy!

Chemo 5

 

October 11, 2011 October 13, 2011

Filed under: Daily Post,Watercolors — lindahalcombfineart @ 3:27 pm
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Another ATC for my holiday stash…this one is of a hillside village in Switzerland. I really enjoyed doing this. It is watercolor and graphite…I still have trouble with the small brushes…too shaky!

Swiss Village - ATC